OVERVIEW
A trailblazer in the Micro Four Thirds class, the Lumix GH6 Mirrorless Camera from Panasonic is a dainty monster that difficulties full-outline matches, a strong cross breed expansion to the video-driven GH series that offers state of the art tech to cinematographers and photographic artists the same. The better handling force of the Venus Engine empowers quick sensor readouts for inner recording of 5.7K 30p in Apple ProRes 422 HQ, FHD 300p, and handheld 100MP photographs. The GH6 appropriately uncovered across 13+ stops, highlights in-body, sensor-shift adjustment, and can be grafted into VariCam film with its pre-introduced V-log picture profile. Panasonic has made a conservative lead camera that experts can decide for stills, as essential workhorse for free film, or as an additional a point on highlight creations.
SPECIFICATIONS
- A LUMIX first: Apple ProRes codec video
Utilizing a CFexpress Type B card (MOV, 5.7K, 5728×3024, 29.97p/25.00p/24.00p), you can inside record ProRes 422 HQ and ProRes 422 codec recordings, the expert business standard, which convey high picture quality at low pressure. This fundamentally decreases the heap on the PC during after creation and permits NLE (non-straight altering) without transcoding, smoothing out your work process beginning to end. - 5.7K 10-cycle 60p/50p recordingWith 5.7K (5728×3024) 4:2:0 10-cycle 60p/50p (17:9) and 5.8K (5760×4320) 30p/25p/24p 4:2:0 10-digit anamorphic (4:3) modes, the LUMIX GH6 offers higher goal and higher piece rates than any time in recent memory and conveys the most recent in high picture quality, adaptability, and expressive reach required for film, TV, and a wide range of video creation.
- Limitless 4:2:2 10-cycle C4K/4K 60p/50p video recording timeThe main LUMIX to offer 4:2:2 10-digit C4K/4K 60p/50p inward recording, the GH6 conveys limitless recording time when utilized at the suggested working temperature. Ideal for little creation groups and in requesting conditions where versatility and top notch are an unquestionable requirement. Additionally takes into consideration concurrent inner recording and outer recording by means of HDMI yield.
- 7.5-stop Dual I.S. 2 (Image Stabilizer)
5-hub Dual I.S. 2 (Image Stabilizer) consolidates control of the Body I.S. also, Lens O.I.S. offers 7.5 stops of correction. - HFR/VFR 10-bit recording
High-goal slow-movement recording, as of late acquiring prominence in video creation, is currently made conceivable utilizing C4K/4K 10-bit 120p/100p HFR (high-outline rate) video recording with sound. The LUMIX GH6 likewise offers a wide scope of 10-cycle ALL-Intra recording modes for very good quality altering, so you can shoot FHD 240p/200p HFR and FHD 240fps VFR (variable casing rate) video. With VFR you can record up to 12.5x very sluggish movement video (FHD 10-digit 24p/300fps). - New Venus EngineThe new Venus Engine conveys roughly double the handling power as in the past, empowering high-velocity handling of the new sensor’s higher pixel counts and higher-goal, higher-piece rate video. Picture quality execution is likewise extraordinarily moved along. New Intelligent Detail Processing offers a higher goal, and new 2D and superior execution 3D Noise Reduction (for recordings) streamlines sound decrease. The outcome is regular, 3D-like pictures with insignificant commotion even at high responsiveness. High-accuracy Dual 3D Color Control accomplishes further developed variety propagation (brilliance, immersion, and shade), bringing about more dependable and more extravagant variety articulation.
- New 25.2MP sensorThe LUMIX GH6 highlights the principal Micro Four Third framework standard 25.2-megapixel Live MOS sensor. With no low-pass channel, its plan takes into consideration both more pixels and higher goal, for super practical detail. Its higher readout speed conveys C4K/4K 120p video recording and 75-outlines per-second burst shooting utilizing the electronic shade while additionally limiting moving screen contortion.
FEATURES/BENEFITS
| Lens Mount | Micro Four Thirds |
| Sensor Resolution | Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336) |
| Sensor Type | 17.3 x 13 mm (Four Thirds) MOS |
| Crop Factor | 2x |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Built-In ND Filter | None |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Shutter |
| Shutter Speed | Electronic Front Curtain Shutter
1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/32000 to 1 Second to 60 Seconds in Bulb Mode 1/25,000 to 1/8 Second in Movie Mode |
| Bulb/Time Mode | Bulb Mode, Time Mode |
| ISO Sensitivity | Photo
100 to 25,600 in Auto Mode (Extended: 50) Video 100 to 12,800 (Extended: 50) |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting | Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG) Electronic Shutter Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/3/10-Second Delay |
Still Image Capture
| Image Sizes | 4:3 JPEG / Raw
25.2 MP (5776 x 4336) 3:2 JPEG / Raw 5776 x 3848 16:9 JPEG / Raw 5776 x 3242 1:1 JPEG / Raw 4336 x 4336 |
|
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 | |
| Image File Format | JPEG, Raw | |
| Bit Depth | 14-Bit |
Internal Video Capture
| Recording Modes | H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s] 5728 x 3024 at 23.98p/24.00p [1500 Mb/s] 5728 x 3024 at 25p [1600 Mb/s] H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit 5728 x 3024 at 29.97p [1300 Mb/s] 5728 x 3024 at 25p [1100 Mb/s] 5728 x 3024 at 23.98p/24.00p [1000 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-Bit 4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s] 1920 x 1080 at 200p/239.76p [800 Mb/s] 1920 x 1080 at 100p/119.88p [400 Mb/s] 1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s] 1920 x 1080 at 50i/59.94i [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit 4096 x 2160 at 50p/59.94p [200 Mb/s] 4096 x 2160 at 47.95p [200 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 1920 x 1080 at 200p/239.76p [200 Mb/s] 1920 x 1080 at 100p/119.88p [150 Mb/s] 1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s] 1920 x 1080 at 59.94i [50 Mb/s] H.265 Long GOP/MOV 4:2:0 10-Bit 5760 x 4320 at 23.98p/24.00p/25p/29.97p [200 Mb/s] 5728 x 3024 at 47.95p/48.00p/50p/59.94p [300 Mb/s] 5728 x 3024 at 23.98p/24.00p/25p/29.97p [200 Mb/s] 4352 x 3264 at 47.95p/48.00p/50p/59.94p [300 Mb/s] 4096 x 2160 at 100p/119.88p [300 Mb/s] 4096 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 100p/119.88p [300 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s] 3840 x 2160 at 23.98p/25p/29.97p [72 Mb/s] 1920 x 1080 at 200p/239.76p [200 Mb/s] 1920 x 1080 at 100p/119.88p [150 Mb/s] 1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s] 1920 x 1080 at 50p/59.94p [28 Mb/s] 1920 x 1080 at 25p/29.97p [20 Mb/s] 1920 x 1080 at 23.98p [24 Mb/s] |
| Variable Frame Rates | 5.7K: to 60 fps
DCI 4K: to 119.88 fps 3.8K: to 119.88 fps 1080p: to 300 fps |
| Gamma Curve | Panasonic V-Gamut, Panasonic V-Log |
| Recording Limit | Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit) |
| Video System | NTSC/PAL |
| Built-In Microphone Type | Stereo |
| Audio Recording | MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio |
External Video Capture
| External Recording Modes | 4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p UHD 4K (3840 x 2160) at 50p/59.94p |
| IP Streaming | None |
Interface
| Media/Memory Card Slot | Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended] |
| Video I/O | 1 x HDMI Output |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output |
| Other I/O | 1 x USB Type-C |
| Power I/O | 1 x USB Type-C Input/Output |
| Wireless | 5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control |
| Global Positioning (GPS, GLONASS, etc.) | None |
Monitor
| Size | 3″ |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
Viewfinder
| Type | Built-In Electronic (OLED) |
| Resolution | 3,680,000 Dot |
| Eye Point | 21 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +3 |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter |
| Autofocus Points | Photo, Video
Contrast Detection: 315 |
| Autofocus Sensitivity | -4 to +18 EV |
Flash
| Built-In Flash | No |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
Environmental
| Operating Temperature | 14 to 104°F / -10 to 40°C |
| Storage Humidity | 10 to 80% |
General
| Battery Type | 1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots) |
| Tripod Mounting Thread | 1 x 1/4″-20 Female |
| Accessory Mount | 1 x Hot Shoe Mount |
| Material of Construction | Magnesium Alloy |
| Dimensions (W x H x D) | 5.45 x 3.95 x 3.92″ / 13.84 x 10.03 x 9.96 cm |
| Weight | 1.8 lb / 823 g (Body with Battery and Memory)
1.63 lb / 739 g (Body Only) |
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