OVERVIEW
Presenting the FX-design (full-outline) Z 9, our leader Z series mirrorless camera. A genuine trailblazer, this camera accompanies numerous first time including previously unheard of in a Nikon or even in this class. Experience advancement innovation with up to 9 kinds of synchronous subject location in the two stills and recordings, a genuine viewfinder with no power outage period, and dazzling 8K UHD/30p in-camera recording that can catch up to around 125 minutes. Its vigorous plan weds structure and capacity to present to you the best generally shooting experience, including a recently planned adaptable 4-pivot vertical and flat shifting screen and a coordinated vertical grasp. Find the relentless power and accuracy of the Z9.
SPECIFICATIONS
Imaging
Lens Mount | Nikon Z |
Sensor Resolution | Actual: 52.37 Megapixel
Effective: 45.7 Megapixel (8256 x 5504) |
Sensor Type | 35.9 x 23.9 mm (Full-Frame) CMOS |
Image Stabilization | Sensor-Shift, 5-Axis |
Built-In ND Filter | None |
Capture Type | Stills & Video |
Exposure Control
Shutter Type | Electronic Shutter |
Shutter Speed | Electronic Shutter
1/32000 to 30 Seconds 0 900 Seconds in Manual Mode |
Bulb/Time Mode | Bulb Mode |
ISO Sensitivity | Photo/Video
64 to 25,600 (Extended: 32 to 102,400) |
Metering Method | Center-Weighted Average, Highlight Weighted, Matrix, Spot |
Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) |
Metering Range | -3 to 17 EV |
White Balance | 2500 to 10,000K
Presets: Auto, Cloudy, Custom, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade |
Continuous Shooting | Electronic Shutter
Up to 20 fps at 45.7 MP for up to 1000 Frames (Raw) Up to 30 fps at 45.7 MP Up to 120 fps at 11 MP |
Interval Recording | Yes |
Self-Timer | 2/5/10/20-Second Delay |
Still Image Capture
Image Sizes | 3:2
8256 x 5504 6192 x 4128 4128 x 2752 |
Aspect Ratio | 1:1, 3:2, 16:9 |
Image File Format | JPEG, Raw |
Bit Depth | 14-Bit |
Internal Video Capture
Raw Recording | Raw 12-Bit
7680 x 4320 at 60 fps |
Recording Modes | H.265 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98p/25p/29.97p UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p ProRes 422 HQ 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98p/25p/29.97p H.265 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98p/25p/29.97p H.264 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98p/25p/29.97p Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p |
Sensor Crop Modes | Super35 / APS-C
4K (3840 x 2160) 1080p (1920 x 1080) |
Gamma Curve | HDR-HLG |
Recording Limit | Up to 125 Minutes for UHD 8K (7680 x 4320) at 29.97p (4:2:2 10-Bit) |
Video System | NTSC/PAL |
Built-In Microphone Type | Stereo |
Audio Recording | 2-Channel LPCM Audio
2-Channel AAC Audio |
External Video Capture
External Recording Modes | HDMI
UHD 8K (7680 x 4320) up to 29.97p UHD 4K (3840 x 2160) up to 119.88p |
IP Streaming | None |
Interface
Media/Memory Card Slot | Dual Slot: CFexpress Type B / XQD |
Video I/O | 1 x HDMI Output |
Audio I/O | 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input/Output |
Other I/O | 1 x USB Type-C Data Output (Shared with Power Input)
1 x RJ45 and 1 x Nikon 10-Pin Control Input 1 x PC Sync Socket Output |
Power I/O | 1 x USB Type-C Input |
Wireless | 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g)
Bluetooth |
Global Positioning (GPS, GLONASS, etc.) | GPS, GLONASS, QZSS |
Monitor
Size | 3.2″ |
Resolution | 2,100,000 Dot |
Display Type | 4-Axis Tilting Touchscreen LCD |
Secondary Display | Top: Status Display |
Viewfinder
Type | Built-In Electronic (OLED) |
Size | 0.5″ |
Resolution | 3,690,000 Dot |
Eye Point | 21 mm |
Coverage | 100% |
Magnification | Approx. 0.8x |
Diopter Adjustment | -4 to +3 |
Focus
Focus Type | Auto and Manual Focus |
Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
Autofocus Points | Phase Detection: 493 |
Autofocus Sensitivity | -8.5 to +20 EV |
Flash
Built-In Flash | No |
Flash Modes | First-Curtain Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction |
Maximum Sync Speed | 1/200 Second |
Flash Compensation | -3 to +1 EV (1/3, 1/2 EV Steps) |
Dedicated Flash System | iTTL |
External Flash Connection | Hot Shoe, PC Terminal |
Environmental
Operating Temperature | 14 to 104°F / -10 to 40°C |
Operating Humidity | 0 to 85% |
General
Battery Type | 1 x EN-EL18d Rechargeable Lithium-Ion, 10.8 VDC, 3300 mAh (Approx. 700 Shots) |
Tripod Mounting Thread | 1 x 1/4″-20 Female (Bottom) |
Accessory Mount | 1 x Hot Shoe Mount |
Material of Construction | Magnesium Alloy |
Dimensions (W x H x D) | 5.9 x 5.9 x 3.6″ / 149 x 149.5 x 90.5 mm |
Weight | 2.9 lb / 1340 g (Body with Battery and Memory)
2.6 lb / 1160 g (Body Only) |
FEATURES/BENEFITS
- RECOGNIZING THE WORLD’S LARGEST RANGE OF 9 DIFFERENT SUBJECT TYPES – FOR STILLS AND VIDEO
To accomplish solid AF for an assortment of subjects, the Z 9 utilizes a high-level calculation created utilizing profound learning innovation and identifies the world’s biggest scope of 9 subject types. With human subjects, the camera can distinguish and zero in on an individual’s eye regardless of whether it is little on the edge, which helps while trimming the picture. It could in fact zero in on the eye through goggles or shades, or on the other hand assume topsy turvy. Experiencing the same thing, for example, where an acrobat plays out a somersault during a story practice and the AF loses the face, the location will naturally move to the head or chest area, keeping up with the center around the subject. For untamed life picture takers and photograph lovers, it likewise distinguishes birds, cruisers, bikes, vehicles, and planes, as well as felines and canines, permitting you to pass on centering to the camera while you focus on your picture arrangement.
- Constant TRACKING LETS YOU FOCUS ON THE BEST MOMENTS – 3D-TRACKING
3D-following has for some time been adulated for its following presentation with Nikon D-SLRs, and the Z 9 carries this element to the Z series interestingly. Combined with subject location created utilizing profound learning, it keeps following a subject like a dashing vehicle that approaches close and afterward moves away rapidly, or a quickly moving competitor.
- KEEP UP WITH FOCUS ON A SUBJECT EXACTLY WHERE YOU WANT – DYNAMIC-AREA AF
Numerous pro athletics picture takers choose precisely wherein the casing they need to accomplish center prior to going into a scene and keep up with it regarding a matter with dynamic-region AF. Exploiting the tremendous AF inclusion, the Z 9 brings new advances by offering three dynamic-region AF modes: (S) with a centering region comparable to that of the D6, (M) with an area actually as huge of the Z 7II, and (L) with a much bigger centering region. Compelling utilization of these relying upon the circumstance helps nail definitive minutes in scenes like soccer and ball.
- INNOVATIONS FOR ADVANCED AF, MEETING PROFESSIONALS’ DEMANDING NEEDS
The Z 9’s strong AF is the consequence of three advances: a remarkable AF computation speed of 120 cycles each second, keen subject identification created utilizing profound learning, and fast, consistent correspondence of AF data between the focal point and camera body through the Z mount. These advances join to play out a more significant level of AF following execution for whimsically moving subjects, in any event, during high-velocity persistent shooting. The AF calculation is additionally tuned to nail moving subjects with trust in low-light circumstances. Besides, the Z 9’s AF being controlled freely from live-view openness empowers strong AF even in illuminated circumstances.
- HIGH-VELOCITY FRAME CAPTURE+ AT UP TO 120 FPS – REVEALING MOMENTS THAT LAST FOR LESS THAN 1/100 SECOND
Whenever you need to catch a specific second, for example, a high jumper’s fingertips hitting the water or a tennis ball immediately distorted by the effect of the racket, the Z 9 offers a new High-Speed Frame Capture+* with AF/AE following. Turning the delivery mode dial to the fast delivery mode determination and choosing C120, you can take approx. 11-megapixel still pictures at 120 fps. This helps press inclusion by uncovering astonishing, beforehand imperceptible minutes that would somehow or another be lost between the casings. With C30, you can shoot approx. 45-megapixel pictures at 30 fps. Similarity with an enormous assortment of focal points – all NIKKOR Z and 94 NIKKOR F focal points – upholds your imaginative vision in a more noteworthy scope of situations.
- CATCH LONG SEQUENCES FROM START TO FINISH – HIGH-SPEED CONTINUOUS SHOOTING AT 20 FPS FOR MORE THAN 1000 FRAMES
To catch the conclusive second, in some cases you want the entire story. Because of CFexpress Type B’s quick composing speed, the Z 9 permits you to continue to shoot in excess of 1000 casings at approx. 20 fps in JPEG (L) fine and High-Efficiency RAW. With noteworthy AF execution, you can keep shooting Olympic skaters or musical gymnasts from start to finish, guaranteeing you catch every one of the conclusive minutes. The Z 9 accomplishes 20 fps with all NIKKOR Z and 94 NIKKOR F focal points.
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